Category Archives: Uncategorized

19 Apr

ISLANDS AND LABORATORIES – programme

Venue: Dworek Sierakowskich, ul. Czyżewskiego 12, Sopot

THURSDAY, 16.05.2019

9.00-9.15 The Festival as a Semiosphere: the opening address by Tomasz Wiśniewski

SESSION ONE

9.15-10.45 BECKETT Chair: SE Gontarski

1.  Octavian Saiu, “The island, the island”: Beckett’s Cultural Identity, between Ireland and the World

2. Alicia Byrne Keane, Islands and Insularity: Beckett and Murakami’s Translation Experiments

3. Shimon Levy, “Catastrophe” and Other Theatre Teaching Tools

SESSION TWO

11.00-13.00  Chair: Jean Ward

4. Monika Szuba, Archipelagic Scotland: The Poetics of Islands and Island Poetry

5. Klaudia Łączyńska, “O thou, that dear and happy isle”: Andrew Marvell’s Representations of Insularity

6. Ludmiła Gruszewska-Blaim, “Where all becomes clear”: Island in Contemporary Poetry

7. Małgorzata Grzegorzewska, The Isle of the Fool. The Concept of Holiness in Pavel Lungin’s Ostorov (“The Island”, 2006) and “The Love Song of J. Alfred Prufrock” by T.S. Eliot

13.00-13.45 LUNCH

SESSION THREE (co-organised with the University of Goias, Brasil)

13.45-15.45 Chair: Tomasz Wiśniewski

8. Izabela Curyłło-Klag, Witkacy’s Multiple Isles

9. Andrea Pita, Tropics to talk about – Witkacy and Oswald de Andrade?

10. Anna Suwalska-Kołecka, Prospero’s Island as Self-referential  Space of Suppression and Trauma in Warlikowski’s Production of “The Tempest”

11. Grzegorz Welizarowicz: The Martinican Discourse: The Islandness of Édouard Glissant and Aimé Césaire

TEATR BOTO, Bohaterów Monte Cassino 54b, Sopot

16.00 Pinter Laboratory Work by Jon McKenna, David Malcolm, Simon Bennett and Martin Blaszk

TEATR NA PLAŻY, Al. Mamuszki 2, Sopot

17.30 Jean Ward in conversation with Hilary Davies

19.00 Teatr na Plaży ‒ Olga Kubińska and Gabi von Seltmann in conversation with Irena Klepfisz (organized in cooperation with Centrum Translatoryczne UG)

FRIDAY, 17.05.2019

SESSION FOUR

9.00-10.45 BECKETT Chair: Monika Szuba

13. Alan Lockwood, Agata Zubel / Samuel Beckett

14. Aleksandra Kamińska, Enclosed Spaces in Samuel Beckett’s “Come and Go” and Caryl Churchill’s “Escaped Alone”: Exploring Feminine Spatiality

15. Rafał Borkowski, The Gaelic island: the concepts of Irish tradition in Samuel Beckett’s “Echo’s Bones” and Mark Doherty’s “Trad”

16. Predrag Todorovic, Is Beckett’s Island Dystopia(n) or not?

SESSION FIVE

11.00-13.00 Chair: David Malcolm

17. Katarzyna Kociołek, Metaphor Theory and Irishness in Selected Irish Travel Posters

18. Agnieszka Sienkiewicz-Charlish, The Genre of Islands: Crime Fiction and Performative Geographies

19. Żaneta Nalewajk-Turecka, The Laboratory of Discourses and Forms. Hobson’s “Island” and other novels  of Stefan Themerson

20. Julian Wolfreys,  “No other island”: Shima Complex and the Tragi-comic Otherness of the Isle of Wight

13.00-13.45 LUNCH

13.45-14.15 KEYNOTE ADDRESS Chair: David Malcolm

20. Artur Blaim, Islands as Laboratories

SESSION SIX

14.15-15.45 Chair: Katarzyna Kręglewska

21. Sarah Flamminio, Islands As Bridges: Themes of Connection in Seamus Heaney’s “Station Island”

22. Joanna Sobesto, Translations by Brian Friel

23. Xymena Synak-Basalamah, Dramatic Space(s): Artaud – Grotowski – Bataille

TEATR NA PLAŻY, Al. Mamuszki 2, Sopot

16.00 Nicholas Johnson and Jonathan Heron: Beckett Laboratory

TEATR BOTO, Bohaterów Monte Cassino 54b, Sopot

17.00 The Isle of “Gardzienice”: a conversation with Włodzimierz Staniewski

18.00 Keynote address by S.E. Gontarski: Threetween: Film and Performance Experiments

(Beckett Laboratory Work, 2016-18, and The World Premiere of „Beckett on the Baltic”)

08 Mar

Call for Papers: ISLANDS AND LABORATORIES

Conference

16-17 May 2019

University of Gdańsk, Poland

In 2019, the Between.Pomiędzy Festival will be held from May 13-19 in Sopot and the adjoining cities of Gdańsk and Gdynia. The theme of this year’s festival is Island. When considered literally, this may call to mind Ireland’s outstanding artists; however, we remain open to other, less obvious readings. In literature, or, more broadly, art, we are looking for metaphorical and symbolic interpretations of the island. We also welcome the participation of literary and theatre scholars, and those engaged in research within the humanities and other disciplines, including the natural sciences. The main purpose of the festival is to provide a space for discussion, linking the worlds of art and of the university, so that we might leave our studios, offices and laboratories to enter into the space of everyday life that surrounds us. Our invitation is open to scholars, researchers, scientists, artists and anyone interested in developing a working – as well as accessible – discussion at the intersection of literature, theatre and science. Central to this undertaking are questions relating to the laboratory – a specific cognitive island – within which both artists and researchers from the natural and experimental sciences can come face to face. This being the case, we would like to open up this year’s conference to the possibilities that exist in a comparison of practical (including workshop) laboratory experiments. In this way, we hope to find points of contact between the sometimes complementary, but also very diverse cognitive perspectives mentioned above. We invite colleagues to present papers in English at the open sessions that are part of the conference on Islands and Laboratories on Thursday, 16 May, and Friday, 17 May. Those interested should send 250-word proposals by 15 March to katarzyna.kreglewska@ug.edu.pl. They should be clearly marked “Conference: Islands.” We will send notification of acceptance by  31 March. The conference fee is 100 euros (accommodation not included). For more information on Between.Pomiędzy see: between@org.pl

Prof. dr hab. David Malcolm

Prof. UG, dr hab. Jean Ward

Prof. UG, dr hab. Tomasz Wiśniewski

Dr Katarzyna Kręglewska

Dr Monika Szuba

06 May

Bewteen.Pomiędzy Festival 2018 – Program

The Ninth Festival of Literature and Theater Between.Pomiędzy

14 – 20 May 2018: Sopot, Gdańsk, Gdynia

MAPY. MAPS

PROGRAM

 

Honorary Patrons: The Rector of the University of Gdańsk and the President of the City of Sopot

 

Collage of  Memory – an exhibition of paintings by Wojciech Zieliński, Teatr BOTO (3 March – 20 May)

Różewicz in Karpacz – an exhibition of photographs by Zbigniew Kulik, University of Gdańsk (14-27 May)

Festival Café: Młody Byron (Dworek Sierakowskich, Sopot, 14-20 May)

 

Monday, 14 May 2018
10.00 Event Official opening of the festival: David Malcolm, Tomasz Wiśniewski and Katarzyna Kręglewska University of Gdańsk, ul. Wita Stwosza 51, room 24
Following Reading Reading Haupt in English
Following Exhibition

 

Różewicz in Karpacz – opening of the exhibition (in Polish)
12.00 Happening Martin Blaszk University of Gdańsk, ul. Wita Stwosza 51
14.00 Conversation

 

Ślady pamięci (Traces of Memory) – Monika Sznajderman and Mieczysław Abramowicz (in Polish) University of Gdańsk, ul. Wita Stwosza 55,

room 3.3

16.00 Reading Reading Sznajderman and Stasiuk in English Teatr BOTO, Sopot
Following A meeting with the author Monika Sznajderman’s Books (in Polish)
17.15 A meeting with the author Andrzej Stasiuk’s Maps (in Polish)
18.30 Theatre

 

BOTO reads Stasiuk

(Sylwia Góra-Weber, Adam Nalepa, Marcin Dymiter, Irek Wojtczak)

20.00 T

 

 

Theatre

 

Krwawe gody (Blood Wedding) by Frederico Garcia Lorca, directed by Adam Nalepa – graduation performance by final-year students of SWA im. Danuty Baduszkowej in Gdynia (in Polish) Teatr Muzyczny,  Gdynia,

Scena Kameralna

 

           

Tuesday, 15 May 2018
12.00 Workshop S.E. Gontarski and Jon McKenna Teatr na Plaży, Sopot
14.30 Discussion Tekstualia – special volume on inter-culturality (in Polish) Teatr na Plaży, Sopot
Following Discussion Kasperski’s Norwid – Żaneta Nalewajk-Turecka (in Polish)
Following Discussion Konteksty – Zbigniew Benedyktowicz (in Polish)
18.00 Film Ucho wewnętrzne (Inner Ear), directed by Magdalena Gubała, Szymon Uliasz (74 min.) Teatr BOTO, Sopot
19.45 Reading Reading Sznajderman in English – David Malcolm
Following Conversation Jester – Monika Sznajderman, Stanisław Rosiek (in Polish)
21.00  T Concert Andrzej Stasiuk, Mikołaj Trzaska Teatr BOTO, Sopot

 

Wednesday, 16 May 2018
9.00 – 17.00

 

Seminar BECKETT’S FACES. The University of Gdańsk Samuel Beckett Seminar in cooperation with The Federal University of Goiás (Brazil). Patron: The Ambassador of Ireland in Poland.

→  Andrzej Stasiuk on Beckett

→ Octavian Saiu in conversation with Jarosław Fret→ Robson Corrêa de Camargo

Dworek Sierakowskich, Sopot
14.00 – 20.00 Workshop Company – Robson Corrêa de Camargo Teatr Gdynia Główna
19.30  T Theatre Krapp’s Last Tape, Teatr ZAR (Alessandro Curti, Jarosław Fret) (in Italian with English subtitles) Scena Kameralna

Teatru Wybrzeże, Sopot

21.00 World premiere …but the clouds…, directed by S. E. Gontarski, filmed and edited by Magdalena Gubała, Szymon Uliasz and Piotr Michalski.

A meeting with the artists

Teatr BOTO, Sopot
21.30  T Concert Released Sounds – Mateusz and Maciej Rychły Teatr BOTO, Sopot

 

 

 

Thursday, 17 May 2018
9.00 – 16.00 Seminar BECKETT’S FACES. The University of Gdańsk Samuel Beckett Seminar in cooperation with The Federal University of Goiás (Brazil). Patron: The Ambassador of Ireland in Poland.

→ S.E. Gontarski

→ Olga Kubińska

→ Joanna Lisiewicz and Bartosz Lutostański in conversation

Dworek Sierakowskich, Sopot
9.00 – 14.00 Workshop Company – Robson Corrêa de Camargo Teatr Gdynia Główna
12.00 – 17.00 Workshop Mapping Beckett – Nicholas Johnson and Jonathan Heron Teatr na Plaży, Sopot
19.00  T Theatre Dziady. Noc druga (Forefathers’ Eve: The Second Night), directed by Piotr Tomaszuk – Teatr Wierszalin (with English subtitles) Teatr Wybrzeże

Scena Kameralna, Sopot

21.30  T Concert BOTO Improvisations: Leszek Kułakowski Teatr BOTO, Sopot

 

Friday, 18 May 2018
10.00 – 12.00 Conference Reading Maps in Literature and Theatre Dziady (Forefahers’ Eve) by Adam Mickiewicz. A meeting with Piotr Tomaszuk (Wierszalin Theatre director) in cooperation with the Polish Society for the Study of European Romanticism (in Polish) Dworek Sierakowskich, Sopot
14.00 – 20.30 Workshop Company – Robson Corrêa de Camargo Teatr Gdynia Główna
13.00 – 17.00 Conference

Reading Maps in Literature and Theatre

Reading Maps in Literature and Theatre – open sessions in English Budynek Neofilologii UG, Kampus Gdańsk-Oliwa, room 370
17.30 Conversation BOTO BETWEEN:

Michael Edwards, Poetry Reading

Teatr BOTO, Sopot
19.00  T Theatre DzikiStyl Company – Refugees. Testigo documentary, directed by Patryk Gacki Teatr na Plaży, Sopot
20.30 Theatre The Máskara Company and Teatr Gdynia Główna – Samuel Beckett’s Company

(workshop presentation)

Teatr Gdynia Główna
21.30  T Concert Wojtczak / Gruszczyńska / Pater / Piotrowicz Teatr BOTO, Sopot
Saturday, 19 May 2018
10.00 – 13.00 Conference

Reading Maps in Literature and Theatre

Reading Maps – seminar (in English)

→ Paweł Potoroczyn

→ Przemysław Czapliński

→ S.E. Gontarski

→ Nicholas Johnson and Jonathan Heron

→ Wolfgang Görtschacher

Dworek Sierakowskich, Sopot
17.00 Conversation Jurij Lotman’s Books – Bogusław Żyłko in conversation with Artur Blaim and  Tomasz Wiśniewski (in Polish) University of Gdańsk, ul. Wita Stwosza 55
Following Conversation Towards a Christian Poetics – Michael Edwards, Monika Szuba, Maria Fengler and  Jean Ward. Chair: Małgorzata Czermińska (in Polish)
18.00  T Theatre Teatr Wybrzeże: The Map and the Territory, directed by Ewelina Marciniak (in Polish) Teatr Wybrzeże,

Duża Scena,

Gdańsk Główny

20.00 Concert Fingerstyle – Piotr Krępeć Młody Byron, Sopot
21.00  T Concert Maciej Sadowski Kwadrat Teatr BOTO, Sopot

 

Sunday, 20 May 2018
15.00 Seminar –Radio theatre Teatr Polskiego Radia:  Andrzej Stasiuk’s Noc. Słowiańsko-germańska tragifarsa medyczna (Night  Slavic-Teutonic Medical Tragi-Farse), directed by Julia Wernio (in Polish) Młody Byron, Sopot
18.00  T Theatre Cricoteka: Włodzimierz Szturc – Tod i Trauma (Tod and Trauma) directed by Tomasz Kaczorowski (in Polish) Teatr BOTO, Sopot
19.00 Film Exhibition closing – Wojciech Zieliński

Film about the Zieliński brothers

Teatr BOTO, Sopot

 

T = TICKET

The organizers reserve the right to make changes to the festival program

Organisers: Fundacja Between.Pomiędzy, Uniwersytet Gdański

In cooperation with: Teatrem Wybrzeże, Teatrem BOTO

Partners: Irish Embassy in Poland, Universidade Federal de Goiás, Brasil, Wydawnictwo Czarne, Instytut im. Jerzego Grotowskiego we Wrocławiu, Cricoteka – Ośrodek Dokumentacji Twórczości Tadeusza Kantora, „Kultura” Paryska, Wydawnictwo Ossolineum, Muzeum Sportu i Turystyki w Karpaczu, Teatr na Plaży, Towarzystwo Przyjaciół Sopotu, Młody Byron, Teatr Gdynia Główna, Studium Wokalno-Aktorskie im. Danuty Baduszkowej w Gdyni, Polskie Towarzystwo Studiów nad Europejskim Romantyzmem, Wydawnictwo UG, Fundacja Terytoria Książki, Wydawnictwo słowo/obraz terytoria, Teatr Polskiego Radia, Koło Naukowe Teatrologów Brikolaż, Księgarnia Książka dla Ciebie, Firmin Księgarnia w Teatrze

Media partners: The Theatre Times, Trójmiasto.pl, „Tekstualia”, „Konteksty. Polska Sztuka Ludowa”, „Topos”

14 May

TEAM BETWEEN FOR THE YEAR 2017

Organizers:

Tomasz Wiśniewski, David Malcolm, Katarzyna Kręglewska, Monika Szuba

and

Jean Ward, Żaneta Nalewajk-Turecka, Sylwia Góra-Weber,  Martin Blaszk, Aleksandra Wachacz, Ewelina Stefańska (marketing), Oliwia Ossowska (marketing), Ewa Marzjan-Jeleńska (edukacja), Alicja Szemberska, Sonia Romanowska, Bartosz Lutostański, Joanna Lisiewicz, Katarzyna Ojrzyńska, Anna Suwalska-Kołecka, Filip Cieślak (tłumaczenia), Monika Hadalska (tłumaczenia), Kaja Wiszniewska-Mazgiel (tłumaczenia), Agnieszka Kochanowska (grafika), Ewa Brzeska (archiwum), Miłosz Wojtyna.

27 Dec

New Cycle BOTO BETWEEN

 BOTO BETWEEN is a series of meetings, organized by Monika Szuba, David Malcolm, and Tomasz Wiśniewski. Held regularly in the BOTO Theater in Sopot, their aim is to present the work of writers and scholars connected with the Between.Pomiędzy Festival. The meetings will give a chance for discussions of original work and translations (poetry, fiction, drama) as well as scholarly publications. Discussions and conversations will be aimed at a broad range of participants: university students, high-school students, and anyone interested in literature and theater. They will be held in a friendly atmosphere in English and Polish. The meetings are under the auspices of the English and American Studies Institute of the University of Gdańsk and are coordinated by the Between.Pomiędzy Foundation.

 Forthcoming meetings:

 Metaphysics in Poetry (Tuesday, 17 January 2017, at 19.00)Over the last few years, Jean Ward’s work has centered on metaphysical poetry. The books she has edited with Małgorzata Grzegorzewska, Maria Fengler, and Mark S. Burrows present a range of contemporary readings of religious poetry, both from a Polish and from an international perspective. We will look at three volumes:

o Poetic Revelations: Word Made Flesh Made Word: The Power of the Word III, ed. Mark S. Burrows, Jean Ward, and Małgorzata Grzegorzewska (Routledge 2017)

o Między słowem a rzeczy-wistością. Poezja Eliota wobec cielesności i Wcielenia, ed. Jean Ward and Maria Fengler (University of Gdańsk Press, 2015).

o Striking the Chords of Spirit and Flesh in Polish Poetry: A Serendipity, ed. Jean Ward, Maria Fengler, and Małgorzata Grzegorzewska (University of Gdańsk Press, 2016

London Theater, Sopot Scot (Tuesday, 24 January 2017, at 19.00) In our second meeting, we invite you to talk about the latest book by Tomasz Wiśniewski on the work of the London theater company Complicite, a group known among other things for its fascinating interpretation of the work of Bruno Schulz. There will also be a chance to hear the Polish translations of David Malcolm’s short stories and to meet the author and the translator.

o Complicite, Theatre and Aesthetics: From Scraps of Leather by Tomasz Wiśniewski (Palgrave Macmillan 2016). Moderator: Joanna Lisiewicz and Ola Wachacz.

o Blaga (The Blague), stories by David Malcolm in a Polish translation by Miłosz Wojtyna (Maski, 2017). Moderator: Miłosz Wojtyna

Many voices, many tongues (Tuesday, 31 January 2017, at 19.00) 

Our third meeting brings together the editors of the Warsaw journal Tekstualia and the authors of the recent number on Bilingualism (3/2016), devoted to multi-lingual authors, such as Joseph Conrad, Stefan Themerson, Billy Wilder, and Samuel Beckett.

06 May

EXPERIMENTS IN POETRY

Workshop with Julian Wolfreys
21 May 2016 9:30-11:00
University of Gdańsk, Faculty of Languages

In this workshop on poetry, we will examine how the experience of the everyday offers the materials for experiments:
• in perception
• temporality
• the self-world relation
• the translation of the world by the eye and other senses,
In asking you to consider these aspects you will be expected to choose between 3-5 events, phenomena or objects you have encountered in your daily lives. In choosing these, consider
• why these drew your attention
• what was out of the ordinary
• why have they remained with you
Ask yourself: what is the relation between the mundane and everyday, and the unusual?
In taking these examples, consider and try to map out connections between them, even if none seem to exist at first glance. In order to engage with the process think about the role of the poet: how is the poet both translator and medium for the phenomenal world? In what ways, are our minds the ground for experiment?
We will work on how language is a place of experiment for representing experience.

Apply at: monika.szuba@ug.edu.pl

BETWEEN poetry workshop.pdf

06 May

WRITING EXPERIMENTALLY

Workshop with Michèle Roberts
21 May 2016
11:30-13:00
University of Gdańsk, Faculty of Languages

We shall experiment with new ways into writing: fiction, memoir, and their overlap. Writing games and exercises will let us explore how to get going and how to continue. The emphasis will be on the pleasure of writing and of discovery.
Participants will be asked to read out their work.

Michèle Roberts is the author of twelve highly acclaimed novels, including The Looking Glass and Daughters of the House
which won the WHSmith Literary Award and was shortlisted for the Booker Prize. Her memoir Paper Houses was BBC Radio
4’s Book of the Week in June 2007. She has also published poetry and short stories, most recently collected in Mud: Stories of Sex and Love (2010). Half-English and half-French, Michèle Roberts lives in London and in the Mayenne, France. She is
Emeritus Professor of Creative Writing at the University of East Anglia.

Apply at: monika.szuba@ug.edu.pl

EXPERIMENT prose workshops.pdf

04 Dec

Call for Papers – BETWEEN.POMIĘDZY 2016

BETWEEN.POMIĘDZY 2016
An International Literary and Theatrical Festival/Conference
Sopot, Gdańsk, Gdynia
Festival 16-22 May 2016/Conference 19-21 May 2016

The theme of this year’s festival and the title of this year’s conference is EXPERIMENT
Conference – EXPERIMENT
Experiment and issues connected with it have long been part of the literary landscape. “The majority of the following poems are to be considered as experiments,” wrote Wordsworth in 1798. “But my writing is simply a set of experiments in life,” wrote George Eliot in 1876. “I would think that while I am a traditional writer – I have no interest in experiment for experiment’s sake – I actually think that the real experiment is a constant experiment, and that’s the experiment of the voice, of the way of seeing,” said John McGahern in 1979. In the introduction to his influential anthology The New Poetry (1962), A. Alvarez uses the term freely of the poetry of “Eliot and the rest.” Francis Booth uses it, of course, in his recent study Among Those Left: The British Experimental Novel, 1940-1980 (2012).
The nature and existence of experiment in prose, verse, and drama are the stuff of literary history, analysis, and interpretation. Who or what is conservative, even an epigone; who or what is avant garde and pushing the envelope? But there are questions to be asked. Does the notion make sense? When does an adoption of tradition mark radical experimentation? How rapidly does experiment become automatized and downright dull? What of the experimental literature of past centuries?

We invite papers that consider experiment. We are particularly interested in papers that examine the term in a theoretical and literary/theatrical-historical context, in papers that deal with the work of particular experimental writers, groups of writers or theatre-makers, in papers that find experiment where few might expect it. When does innovative subject matter make for experiment? Or is it just (just!) technique?
While we wish to concentrate on English-language writing (verse, drama, fiction, and non-fiction), theatre, and film, we are open to proposals that look at experiment in the context of painting and other visual arts, and in relation to languages other than English.

Our conference on EXPERIMENT, which will take place from 19 to 21 May 2016, will be part of the BETWEEN.POMIĘDZY international festival of literature and theatre held in Sopot, Gdańsk, and Gdynia from 16 to 22 May 2016. This is the seventh annual festival/ conference organized by BETWEEN.POMIĘDZY. For information on previous festivals/ conferences, see www.between.org.pl

Guest speakers for 2016 include: STANLEY E. GONTARSKI, DAVID GOTHARD, WOJCIECH NOWICKI, MICHÈLE ROBERTS, and JULIAN WOLFREYS.

Please send 250-word abstracts for papers by 1 March 2016 to between@ug.edu.pl
The conference/festival fee is 100 euros (accommodation not included).
For further information, please contact us at between@ug.edu.pl
Professor David Malcolm
Dr Monika Szuba
Dr Tomasz Wiśniewski